Giorgio by Moroder-Daft Punk
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QQ音乐享有本翻译作品的著作权 [00:00.49]Composed by:Thomas Bangalter/Giorgio Moroder/Guy-Manuel de Homem-Christo [00:00.99]Produced by:Guy-Manuel de Homem-Christo/Thomas Bangalter [00:01.49]When I was fifteen
当我十五岁,十六岁时 [00:03.47]Sixteen when I really started to play the guitar
当我开始玩吉他 [00:06.67]I definitely wanted to become a musician
那时我的梦想是成为一个音乐家 [00:08.99]It was almost impossible because it was
I这几乎是不可能的 [00:12.24]The dream was so big
因为梦想太大 [00:13.97]That I didn't see any chance
我没有看到任何的机会 [00:16.13]Because I was living in a little town
因为我生活在一个小城镇 [00:17.99]Was studying and
我在学习 [00:19.66]When I finally broke away from school
当我终于脱离了我的音乐学校 [00:22.75]And became a musician I thought "well
我想是成为一个音乐家 我想 好的 [00:26.53]Now I may have a little bit of a chance
我想我有一点点机会 [00:28.66]" because all I really wanted to do is music
因为我不只是去玩音乐 [00:31.59]And not only play music but compose music
而是热爱音乐本身 也作曲 [00:34.14] [00:35.62]At that time in Germany
当时,在德国 [00:37.81]In '69-'70 they had already discotheques
在1969-70年,那里已经有迪斯科舞厅 [00:42.52]So I would take my car
所以我想坐我的车 [00:44.12]Would go to a discotheque
去迪斯科舞厅 [00:46.19]And sing maybe 30 minutes
唱大概30分钟 [00:50.44]I think I had about 7-8 songs
我想我有7-8只歌曲 [00:53.50]I would partially sleep in the car
我可以睡在车里 [00:57.06]Because I didn't want to drive home
因为我不想开车回家 [00:59.25]And that helped me for about almost 2 years to survive
就这么持续了大概2年生存 [01:05.86]In the beginning
在开始的时候 [01:09.41]I wanted to do an album with the sounds of the 50s
我想用50年代的声音做一张专辑 [01:13.09]The sounds of the 60s
60年代70年代的声音 [01:14.64]Of the 70s and then have a sound of the future
然后有一个良好的未来 [01:19.12]And I thought "wait a second
我心想:等一下 [01:21.38]I know the synthesizer
我会使用合成器 [01:22.63]Why don't I use the synthesizer which is the sound of the future"
我为什么不使用合成器,那是未来的声音 [01:27.86]And I didn't have any idea what to do
我不知道做什么 [01:30.59]But I knew I needed a click
但我知道我需要一个声音 [01:32.47]So we put a click on the 24 track which
我们用一个24轨道音符 [01:35.22]Then was synched to the Moog Modular
然后同步到穆格模块 [01:38.53]I knew that it could be a sound of the future
我知道这可能是一个良好的未来 [01:42.42]But I didn't realize how much impact would be
我不知道它会有多大影响 [01:45.20] [01:47.52]My name is Giovanni Giorgio
我的名字是吉奥吉 [01:49.39]But everybody calls me Giorgio
但大家都叫我吉奥 [01:51.77] [04:59.44]You want to free your mind about a concept
你想开一场关于心灵释放的 [05:02.13]Of harmony and of music being correct
和谐的正确的音乐演唱会 [05:06.80]You can do whatever you want
你可以做你想做的 [05:08.29]So nobody told me what to do
所以没有人可以告诉你要怎么做 [05:11.51]And there was no preconception of what to do
一切都充满未知
Giorgio by Moroder-Daft Punk 热门评论
Giogio是对迪斯科这一曲风影响最大的人,为包括迪斯科女王Donna Summer在内的一大票迪斯科歌手编过曲,也用合成器为无数电影制作过配乐,真正做到了把迪斯科这一曲风变得家喻户晓。现今的house音乐的出现就是受到了Disco影响。而daft punk作为house界最富盛名的超级乐队,合成器已经玩得出神入化了,可以说是完美的接过了GioGio的担子。 当自述停顿在“But everybody calls me Giorgio”随后超前的合成器电子音占据主导地位时,你是否有感受到一种超越时间跨过空间的传承感?
我06卖打口的时候,他们的碟子根本卖不过化学兄弟,谁能想到他们这么火现在
复古华丽的传思蛋撕 多年一遇超冷三月突回暖,到处湿漉漉的回南天 惊蛰,午后
Giorgio by Moroder这首歌。童年是用一支很老的话筒录的,青年是用一支70年代的话筒录的,现在的故事是用最新(制作时)的话筒录的。 Giorgio当时问声音工程师:这听起来会有什么区别? 工程师回答:完全一样,然后指了指外面,但是他们(Daft Punk)听的出来。 ——纪录片《被解放的蠢朋克》2015
来了来了,apo车里听的歌😆
别刷一些人上人的评论了好吧…听这首歌说明我们都喜欢蠢朋克的歌 都喜欢蠢朋克音乐风格 并不能说明我们逼格有多么高或者是高人一等…
当我第一次听的时候,我心里就想到我听过任何一个摇滚 任何一个电子舞曲 任何一个funk 都没有像这首歌一样让我这么惊喜与快活,daft punk是Avicii的启蒙老师,我曾经也许并不认识他们,但第一次在派对听到这首的时候是那样如此的兴奋激动 如今dp解散28年的传奇故事结束,但他们对这种音乐的创新和想法我永远敬畏永不过时
My name‘s 乔凡尼Giorgio,but everybody calls me舅舅😕
这首歌前面那段用来练英语听力不错😂
怎么说呢?我无法用精确的词汇恰巧地描绘出我这听这首音乐的感受,既是兴奋又是感动。或许只有像Daftpunk这样的天才才能够把JOJO念白式的故事回溯杂糅在电子乐、管弦乐、钢琴、吉他和鼓以及scratching里,音乐的变化随着故事起伏。像是乘坐在装有上世纪Disco舞厅的飞船里,从过去驶向未来,从地球驶向太空,时空感在无限放大,眼前的景象从失焦到聚焦,一切都清晰了起来。
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