2. Aria: "Ein geheiligtes Gemüte" (第2首 咏叹调:“在圣灵里面的心灵”)-Concentus Musicus Wien/Kurt Equiluz/Nikolaus Harnoncourt

Tenor

2. Aria: "Ein geheiligtes Gemüte" (第2首 咏叹调:“在圣灵里面的心灵”)-Concentus Musicus Wien/Kurt Equiluz/Nikolaus Harnoncourt 无损flac下载 mp3下载

2. Aria: "Ein geheiligtes Gemüte" (第2首 咏叹调:“在圣灵里面的心灵”)-Concentus Musicus Wien/Kurt Equiluz/Nikolaus Harnoncourt 在线试听 歌词免费下载

2. Aria: "Ein geheiligtes Gemüte" (第2首 咏叹调:“在圣灵里面的心灵”)-Concentus Musicus Wien/Kurt Equiluz/Nikolaus Harnoncourt 歌曲简介

Bach gave the first movement to the tenor instead of the soprano in the secular work and changed the vocal line considerably, but wrote these changes into the original part. Movement 4, a paraphrase of the quotation from the gospel, is a duet, which handles three stanzas in ever richer variations: the first stanza is for bass and strings in G major, the second in higher D major for soprano and additional flutes, the final one for both voices in A major and with more figuration. The structure of this duet is unique in Bach's cantatas, the variations in rising keys, and the increase in instruments and musical texture all add to illustrate the exaltation mentioned in the title of the cantata. For the Baroque, the exaltation of the noble employer of the secular cantata could be adapted without change to the exaltation of God. The final chorus, based on a duet as movement 8 of BWV 173a, is partly expanded to four parts, but in homophony.

2. Aria: "Ein geheiligtes Gemüte" (第2首 咏叹调:“在圣灵里面的心灵”)-Concentus Musicus Wien/Kurt Equiluz/Nikolaus Harnoncourt 热门评论

2. Aria: "Ein geheiligtes Gemüte" (第2首 咏叹调:“在圣灵里面的心灵”)-Concentus Musicus Wien/Kurt Equiluz/Nikolaus Harnoncourt 同专辑其他歌曲