III. Finale - Alla breve (第三乐章 终乐章 - 简短风格)-San Francisco Symphony/Zoltán Kocsis/Edo De Waart
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III. Finale - Alla breve (第三乐章 终乐章 - 简短风格)-San Francisco Symphony/Zoltán Kocsis/Edo De Waart 歌曲简介
第三乐章是自由的奏鸣曲式。在乐队迅猛的重复音背景上,钢琴奏出了D小调主部主题。这个主题是从第一乐章的主部主题变形而来的,具有号角的性质,同时由于使用了大量的重复音和快速音群,又具有节日的狂欢气氛。之后这个主题迅速的发展为一首强悍的进行曲,强拍上大和弦营造的蹬踏效果使人联想到了斯拉夫男性的踢踏舞。连接部在C大调上出现,是由大和弦构成的连续切分音,具有哥萨克风格。G大调副部主题则和前面形成明显的对比,它的特点是宽广而舒展的,具有歌唱性。展开部从降E大调上开始,依次展开第一乐章中出现的各个音乐素材——其实这也是构成全曲的所有音乐素材。音乐时而谐谑,时而抒情,时而宽广,时而沉静,但前两个乐章中忧郁的阴霾在这里已经一扫而空。再现部从C小调上开始,再现主部主题之后,连接部和副部分别在降B大调和F大调上再现,所不同的是,副部主题此时速度更快,有了舞曲的性质。尾声是精彩而辉煌的,第一乐章主部主题在这里变成了3/2拍子的“奔马”旋律,力度不断增长,从D小调转到了D大调。在简短的华彩段之后,钢琴以四声号角,唤起了副部主题的乐团全奏,此时的副部主题已经变成了一首庄严而辉煌的颂歌,钢琴的强奏大和弦像钟声般敲响——这是所有钢琴协奏曲中最辉煌灿烂的瞬间,最后,乐曲速度转为急板,狂热的三连音从高音区倾泻而下,然后双手交替的快速华彩音型从低音区再次跃起,最后以拉赫玛尼诺夫的“签名”,即四个强悍的进行曲般的音符虎虎生威的结束全曲。
III. Finale - Alla breve (第三乐章 终乐章 - 简短风格)-San Francisco Symphony/Zoltán Kocsis/Edo De Waart 热门评论
III. Finale - Alla breve (第三乐章 终乐章 - 简短风格)-San Francisco Symphony/Zoltán Kocsis/Edo De Waart 同专辑其他歌曲
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