Marianelli: Elegy For Dunkirk (Album Version)-Dario Marianelli/English Chamber Orchestra/Benjamin Wallfisch/Jean-Yves Thibaudet
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把重压从灵魂中抽离 [01:35.74]And let our ordered lives confess
让我们在压迫下坦白 [01:40.08]The beauty of thy peace
和平才是美 [01:44.11] [01:44.62]The beauty of thy peace
和平才是美 [01:48.67] [01:50.11]Breathe through the heats of our desire
在欲望的热浪中呼吸 [01:54.55]Thy coolness and thy balm
镇定下来 给自己慰藉 [01:58.30] [01:59.08]Let sense be dumb let flesh retire
让我们抛开理智 灵魂出窍 [02:03.27]Speak through the earthquake wind and fire
在天摇地动中轻声细语 [02:07.61]O still small voice of calm
内心仍然保持着那份宁静 [02:11.94] [02:12.58]O still small voice of calm
内心仍然保持着那份宁静
Marianelli: Elegy For Dunkirk (Album Version)-Dario Marianelli/English Chamber Orchestra/Benjamin Wallfisch/Jean-Yves Thibaudet 热门评论
《赎罪》电影,说真的,太压抑了,看完之后,不知道如何形容自己的感觉,在最美丽的时候,遇见了最惨烈的结局。这是一个人的罪孽,却是三个人的一生。把最好的希望放在等待彼此的誓言中,理解彼此,忠贞不渝。Find you,love you,marry you,and live without shame。找你,爱你,娶你,挺起胸膛生活。男主角就站在那个偌大的电影屏幕前,电影的剧情美丽而动人,那时候,敦刻尔克大撤退那些军人们坚信,自己会回到祖国的怀抱,会有不在年轻却依旧美丽的妻子为自己捧上热咖啡和鲜花,可是我却在男主眼中看见了悲哀和绝望。原谅上帝的玩笑,这一次他食言了,不能回家了啊....
说实话,我认为赎罪里对于敦刻尔克的刻画比诺兰的《敦刻尔克》更好,不只是长镜头的作用,赎罪中敦刻尔克沙滩上的混乱和夕阳那种真的营造出了一种绝望和末日一般的悲情气氛,诺兰的电影里敦刻尔克沙滩则整洁安静,虽然配乐非常出彩但总感觉画面差了些
I will return... find you, love you, marry you, and live without shame
虽然我是诺兰粉 但是我在电影院看敦刻尔克时就已经看出来 赎罪里的敦刻尔克真的比诺兰的好很多 真实很多 也悲壮很多
奥马哈海滩在诺曼底,而且诺兰的敦刻尔克里没有那五分钟的长镜头
可有些罪一旦犯下,哪怕穷尽一生也无法得到救赎💔
缘分未尽,我会回去,回去找你,爱你,娶你,然后挺起胸膛生活。
合唱一出来我就不行了😭
每次脑海中就会出现是罗比行走在战场时候的有一段独白:"the story can resume .our story can resume .II will return, find you, love you , marry you and live without shame."罗比行走过程不断的切入他的回忆、想象的画面,加上这段动人的独白,表现出罗比想要回去,回到西西莉娅身边的强烈渴求,而他们却因战争相继死去,没有继续他们的故事。 同时,影片中的音乐表现了电影精致的结构、细腻的感情、以及厚重的历史感和浓烈的人文气息。
赎罪只是为了求得自己的心安罢了,她所做的事永远也弥补不了自己曾经的过错,年少的自私早就了她余生的赎罪。 原来有情人也不一定成眷属。
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