The Rite of Spring, Pt. 1 "The Adoration of the Earth" - The Augurs of Spring - Dances of the Young Girls (春之祭 - 大地回春)-Columbia Symphony Orchestra
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The Rite of Spring, Pt. 1 "The Adoration of the Earth" - The Augurs of Spring - Dances of the Young Girls (春之祭 - 大地回春)-Columbia Symphony Orchestra 歌曲简介
第一部分,《大地的崇拜》,将我们带到史前一座孤寂无人的山谷,由巴松管奏出的音符使人感到原始森林的召唤,那些怪诞的、梦幻的、甚至怪诞的感觉。开头即可听出斯特拉文斯基独有的风格:拍子变化多、音乐狭窄。引子以独奏大管在高音区吹出的一支阴郁的立陶宛民间曲调开场,它那神秘的音响把我们带到了史前时期的一座孤寂的山谷。在这里,春天即将来临,大地逐渐苏醒,一群男女在静静地沉思。第二段大地回春;青年舞曲:这一段以模仿沉重踏步的节奏作为开始,青年们和着这种粗野的节奏而跳舞。这是“春天到来”的欢乐宣告。第三段诱拐之舞,这是整部舞剧中最粗野、最恐怖的一段,舞蹈也是激烈而粗犷的。整个乐队变得越来越喧闹,不时还传来雷鸣般的爆裂声。第四段春之轮舞,单簧管奏起了似乎无始无终的抒情旋律,像一支牧歌,充满了质朴的思慕之情,同时又表达出热烈的愿望。对垒游戏是一场描写部落间战斗的舞蹈。在舞剧中,这是一段两人一组的体操般的舞蹈,而乐队则用一支受到“古怪而有力”的节奏交替支撑和推进的旋律,来为这一舞蹈伴奏。第六段长者的行列,用四支法国号以不同的调性,庄严而有力地宣告长者的到来。这时,打击乐器用各种节奏来做伴奏,其中还有弦乐器的颤音缠绕其间,呈现出在远古的献祭仪式上香烟缭绕的情景。第七段大地的崇拜,这一段仅四小节,以一个轻微而神秘的不协和和弦构成,是上一段突然刹住后的一个尾音,它与先前的轰然巨响形成鲜明的对比。第一部分的最后一段是大地之舞,这是一段气氛热烈、力度与配器变化多端的音乐。当这一音乐最后上升到极度狂乱的音响时,全曲的第一部分在乐队的沉重切分和弦音响中,以最强音结束。
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The Rite of Spring, Pt. 1 "The Adoration of the Earth" - The Augurs of Spring - Dances of the Young Girls (春之祭 - 大地回春)-Columbia Symphony Orchestra 同专辑其他歌曲
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