Debussy: Suite bergamasque, L. 75 - Arr. for two guitars A. Lagoya - 3. Clair de lune (Arranged for 2 Guitars)-Alexandre Lagoya/Ida Presti
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Debussy: Suite bergamasque, L. 75 - Arr. for two guitars A. Lagoya - 3. Clair de lune (Arranged for 2 Guitars)-Alexandre Lagoya/Ida Presti 歌曲简介
《月光》是《贝加马斯克组曲》的第三曲,很有表情的行板,9/8拍子。这是德彪西的钢琴作品中最为大众化的一首,美丽的旋律暗示了对月光的印象,甚弱和弦的反复更加深了这一印象。接着速度轻快的琶音描写了月光闪烁的皎洁色彩,仿佛置身于晴朗而幽静的深夜氛围之中。第一段,降D大调,速度徐缓而富于表情,描绘月夜幽静景色给人产生的印象。中段先转到E大调上,后来又回到降D大调。右手是一些短小的乐句,左手是分解和弦,好似描写一阵阵轻风,轻轻地摇动着树枝,稀疏的树叶发出沙沙响声,这一段与第二、三段宁静的气氛形成对比,给人以动的感觉。第三段基本上是第一段的再现,但音型上有些变化。乐曲最终是一段尾声,宁静的曲调和分解和弦,把月光下缥缈如梦的意境描绘得更富有诗歌意。乐曲一开始在行板速度由上呈现的乐思温和而幽静。一组组上行的琶音仿佛是短而小的笔触在画布上一点点铺叠、延伸,月光好象碎掉的白金一般洒满整个画布,琶音衬托着浮动着的主旋律,这一委婉的旋律,轻轻波动、缓缓起伏,描绘了月夜特有的诗情画意。接着,在一串和弦的晃动下。月光开始在混合的夜色中颤动。随着琶音的加快,踏板的重叠。音响的混合越来越模糊,形成了“一片色彩班驳、扑朔迷离的意境和音响”上声部轻轻奏出歌唱性的“月光曲”.随后,速度稍稍加快。流动的琶音如同月光荡漾,流畅而舒展。在琶音衬托下,上声部旋律越来越明朗,着意描绘了溶溶的月色。最后。再现开头的乐思,以分解和弦织成的柔美结尾终曲。
Debussy: Suite bergamasque, L. 75 - Arr. for two guitars A. Lagoya - 3. Clair de lune (Arranged for 2 Guitars)-Alexandre Lagoya/Ida Presti 热门评论
Debussy: Suite bergamasque, L. 75 - Arr. for two guitars A. Lagoya - 3. Clair de lune (Arranged for 2 Guitars)-Alexandre Lagoya/Ida Presti 同专辑其他歌曲
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