Introduction and rondo capriccioso in A Minor, Op. 28 (引子与回旋随想曲,作品28)-Itzhak Perlman
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Introduction and rondo capriccioso in A Minor, Op. 28 (引子与回旋随想曲,作品28)-Itzhak Perlman 歌曲简介
这部作品采用“引子+回旋曲式”结构,回旋部分主题A和插部依“ABACDACEBA”的次序穿插,主题A强烈而鲜明,经过反复出现而最终走向高潮。取名为“随想曲”,意为作者凭幻想而创作,性格活泼、形式自由,很大程度上具有即兴的意味。整支曲子荡漾着两种情绪,犹豫而苍凉和光彩照人时时交织在一起,在不同的乐段交互浮现,左右着听者的心情,热情与忧伤并存,抒情与叹息同在。圣桑将一对矛盾一一融在他的音乐中,非但不影响曲风的和谐性,反而使其相得益彰,凸现出圣桑独特的风格并略带一点人生观在里面。在弦乐器连续低音的衬托下,独奏小提琴缓慢地奏出“引子”部分的主旋律,优美雅致,又带有忧郁的色彩。它让我想到深夜巷子里孤独的流浪人独行,昏黄的路灯把他的影子投在石板路上。他必定是看到了自己的影子,他必然是感到了孤独,饱经风霜的心还有柔软的部分,这才有那饱蘸忧伤的旋律。或许他还是乐观的,或许是他的不愿追溯,小提琴在将那忧伤的语句演绎了两遍之后,便用两串快速而跳动的音符将种种忧伤带过,并引至主题。主题A已经出现,那个行走的影子荡然消散,在乐队给出的清晰的节奏中,独奏小提琴奏出强烈的颤音,引子的尾部给出了足够的暗示,每听至此仍不免为之一动。它像沉思之后的猛醒,又带有某种偏执。它是丰富的,它让不同的影像和不同的情绪叠加;它又是极富特点和形象鲜明的,一经入耳,永难忘却。插部B由主题A平缓过渡。此插部共出现两次,比较短小却比较重要,它与主题有明显对比。它是由全曲中最为轻快、最为愉悦的一段,略有些俏皮、乐队的气氛也不在那么严肃拘禁。短暂的插部B是有色彩的,它是那种明亮的金黄色,透露着阳光的信息,让人想起大片大片的向日葵。 气氛重新聚拢,回到主题A。A之后在鼓声强烈的节奏中转向插部C,这段乐曲恢弘而壮阔,稳重而成熟。行至插部D,悠扬的琴声让我形成些许憧憬,和浅浅的满足感,却在将有释怀之时感到一点预兆——再次到来的A略失从容,甚至夹杂一丝来自对暴风雨的惶恐。重而强烈的鼓点砸下来,C、E接连铺开,平和稳定,直到熟悉而明亮的B第二次出现,用我说不清是热情还是急躁的情绪鼓动着,推波助澜,步步逼近,最后一次再现的主题终于从低沉的背景音中浮现,而对奏小提琴快速而华丽的演奏将全曲推向高潮,小提琴的风华和洋溢的热情如华锦般徐徐展开,露其面目而光彩夺目、熠熠生辉。
Introduction and rondo capriccioso in A Minor, Op. 28 (引子与回旋随想曲,作品28)-Itzhak Perlman 热门评论
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