Tarantella (arr. W. Popp) (塔兰泰拉)-United States Air Force Strings
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Tarantella (arr. W. Popp) (塔兰泰拉)-United States Air Force Strings 歌曲简介
此曲不仅体现了几种较典型的演奏技法,同时也突显出音乐演奏中的对比因素。在演奏技巧上主要表现为两大类:第一,两手交替弹奏。这种奏法在此乐曲中体现得尤为突出,散布于全曲的各个角落。在段与段之间的连接处也常以这种交替弹奏的方式出现。纵观整首作品,可分为同向与反向的交替弹奏和两手交叉的交替弹奏。其中前者的交替弹奏需从关键音的突出、音乐的走势以及音响层次的变化等方面来引导演奏;后者的交替弹奏较前者来说稍显复杂。《塔兰泰拉舞曲》中出现了两次这一类型的弹奏,不同之处在于两者节奏、音型和重音点不同。第二,轮指。轮指弹奏可视为这首乐曲的特点之一,几乎从乐曲的开篇到结束,都一直穿插着轮指的演奏,从中可划分为同度轮指和穿插八度跳跃的轮指两种类型。同度轮指大量地运用于此曲第一主题部分的主旋律中,右手带有轮指的旋律表现出轻巧、活泼的色彩,速度要求是极板。这就需要轮指的触键方式是贴键的指尖弹奏。指尖的敏感度要提高,3个手指轮流弹同一音时,触键与离键的时间要迅速,否则易出现手指粘连或是缺音现象。穿插八度跳跃的轮指技法较之前的同度轮指稍难一些,它是在每次轮指间插入八度音的来回跳跃,同时在整段轮指的弹奏中穿插着全曲第二主题部分的主旋律。其触键方法与同度轮指的方法相同,手指尖勾住,快速弹跳于键面,但要尽可能贴键弹奏。其中,八度音的来回跳跃对手指触键、离键速度要求更迅速。此外,旋律线条在这里占主导地位,每小节拍点上的音都是需稍加强调的旋律音。只有做到以上的要点,这段音乐的层次感才会产生。
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