Emmanuel Pahud 歌手资料

中文名 : Emmanuel Pahud

国籍 : 瑞士

Emmanuel Pahud (January 27, 1970) is a French and Swiss flute player.

He was born in Geneva, Switzerland. His father is of French and Swiss background and his mother is French. The Berlin-based flautist is most known for his baroque and classical flute repertory.

Pahud was born into an non-musical family. As a young boy living in Italy, the sounds of the flute captivated Pahud. From the age of four to the age of 22, he was tutored and mentored by flautists such as François Binet, Carlos Bruneel and Aurèle Nicolet. Classically trained at the Conservatoire de Paris, he leapt into the international orchestral and solo music scene when he joined the Berlin Philharmonic Orchestra in 1992.

His versatility in music styles over the years has “signalled the arrival of a new master flautist.” (The Guardian). He plays in diverse music genres, whether baroque, jazz, contemporary, classical, orchestral, or chamber music.

Travelling has been a big part of Emmanuel Pahud's life from birth. His father worked for a U.S. company, and the family moved repeatedly during his childhood. However, this would only shape Pahud's international outlook for his future. Only six weeks after Pahud was born, his parents moved to Baghdad for one year. They moved again when he was 1 to Paris, where Emmanuel's younger brother was born. In 1972, they then moved to Madrid for two years, and in 1974, finally settled in Rome for four years. In their apartment building in Rome, lived the Swiss-French Binet family whose four children played musical instruments. The father (François) was a flautist who studied in Zurich and Paris but stopped performing in later years. At the age of four, Pahud first heard the flute. As the eldest son Philippe played the Flute Concerto No. 1 (Mozart) K.313 in G Major, it set the course to a remarkable chapter of Pahud's life. He recalls:

I could hear the flute, the violin, the cello, the piano. I don't know why I chose the flute but maybe it was because the eldest son was playing it, so he was the one playing at the best level at that time - or because the father was also a flute player, so there was a kind of authority there. Anyhow, I said to my parents, "I want to play the flute, I want to play the Mozart concerto that guy next door is practicing."

That Christmas, after receiving his first flute, Pahud began his first year of lessons with Philippe (who was only 15 years old) and the next three years with Phillipe's father, François.

In 1978, at the age of eight, the Pahud family moved to Brussels, Belgium. Emmanuel then began studying at the Music Academy of Uccle in Southern Brussels. There he studied with Michel Moinil from 1979-1985. As he became more determined and focused on playing the flute at a higher level; Pahud began to study from 1984-87 with Carlos Bruneel, the then and current principal flautist of the Théâtre Royal de la Monnaie opera house in Brussels. In 1985, Pahud won the National Competition of Belgium (le concours National de Belgique) and in the same year, he played his first concert with the National Orchestra of Belgium, performing the piece that inspired him 11 years earlier: Mozart Concerto K.313 in G Major. Pahud remained in Brussels until receiving his A-Level at the age of 17 and went off to finish his schooling in Paris. With the strong support of his family, he also received lessons with other of Europe's finest players, including Peter-Lukas Graf in Basel.

Berlin Philharmonic Orchestra[edit]

Being appointed as principal flutist at the BPO signalled Pahud's entrance into the international spotlight. He entered the orchestra during its rejuvenation period as the post-war generation of players began to retire.[6] Over 40%, including Pahud's position was up for audition, or on trial. His predecessor was Karlheinz Zöller (1960–69, 1976–93).[6] Apart from Pahud, other previous international flutists held the same principal flutist position such as Aurèle Nicolet (1950–59)[11] and Sir James Galway (1969–75).[3] As many international musicians filled these positions, Pahud found the BPO generating a unique sound experience unlike anywhere else:

There was a way of phrasing and wave that goes throughout the orchestra, coming from the bass and shaping the phrase with amazing beauty and intensity.[6] The dynamic range of the orchestra was phenomenal. The art of playing with the Berlin Phil is very different compared to other Orchestras, where we work as equals with our individual voice.[1]

Pahud at 22 was the youngest player in the Berlin Philharmonic, a position to which he returned in 2002 under Sir Simon Rattle after taking an 18-month sabbatical in 2000[4] in order to teach the Virtuosity Class at the Conservatoire de Musique de Genève for one year and to perform in concerts worldwide. He was surprised on how emotional it was to leave the BPO. He recalls his emotions beginning a couple of hours before playing his last concert and only leaving him once he rejoined BPO in 2002.[2] The versatility and authority of current conductor Sir Simon Rattle,[12] says Pahud, gives the orchestra a unique working partnership and a capacity to be more adventurous in its exploration of repertoire.[12] He also sees Rattle as an intellect; "he knows the orchestra and he achieves what he wants by taking into account the vision of the musicians.[8] In addition, Pahud also observed that whilst the former conductor Herbert von Karajan "produced a big string sound with a great legato. The Rattle sound is a very transparent and constructed sound, with much more articulation to achieve definition in the sound." In baroque and classical music, this represents the influence of period performance.[12]

The Berlin Philharmonic these days considers themselves a very individualist and soloistic "large ensemble."[1] In 2007, Pahud was voted onto the Media Vorstand (or the Member of the Media Board) of the BPO.[4][10] He shared the position of principal flutist with Mathieu Dufour who has held the position since 2015.[13]

International appearances[edit]

Pahud's workload has more than tripled since the early days of his international career in 1992. At that time he was doing about 50 concerts a year – but with the success of his solo career and continued involvement with the Berlin Philharmonic Orchestra, that number has spiralled to around 160:[2] 90 solo or chamber music and 75 orchestral concerts in an average year – roughly twice the number of performances that most musicians would consider a heavy work-load.[14] Pahud says that it's a balance he has had all his life and what prevents him from being isolated in one genre or repertoire of music, or what he calls "a musical corner".[14]

In 1993, Pahud began accepting international concert performances soon after settling into his position in Berlin. He has appeared as soloist with internationally renowned orchestras in addition to the Berlin Philharmonic: the Yomiuri Nippon Symphony Orchestra, the London Symphony Orchestra, the Tonhalle Orchester Zürich, the Orchestre de la Suisse Romande, the Geneva Camerata the Berlin Radio Symphony Orchestra, and the Danish Radio Symphony also known as the Danish National Symphony Orchestra.[3] He also appears regularly at leading festivals throughout Europe, the United States and the Far East.[15] His more famous international concerto appearances and collaborations of the past few seasons (2005–2008) included the Berlin Philharmonic, the Baltimore Symphony Orchestra, the London Philharmonic Orchestra, the Monte-Carlo Philharmonic Orchestra, the Bavarian Radio Symphony Orchestra, the NHK Symphony Orchestra, the Berliner Barock-Solisten, the Vienna Radio Symphony Orchestra, the Orchestre National de Belgique, the Orchestre philharmonique de Radio France and a U.S. tour with the Barcelona Symphony and Catalonia National Orchestra (including a Carnegie Hall debut).[15] Another famous concerto collaboration took place in 2005–2006 with the Australian Chamber Orchestra in reviving the Vivaldi Flute Concertos.[16]

Pahud is also a dedicated chamber musician and has recently made international appearances throughout Europe, North America and Japan in recital with pianists Éric Le Sage and Stephen Kovacevich as well as in a flute and string quartet formation with Christoph Poppen (violin), Hariolf Schichtig (viola) and Jean-Guihen Queyras (cello)[15] with whom he recorded his 1999 record Mozart Flute Quartets.[17] In 1993, he co-founded Le festival de l'Empéri[18] in Salon-de-Provence, France, along with his regular chamber music partners pianist Éric Le Sage (close friend and confidant) and Paul Meyer.[19] In a French interview, Pahud describes the success of the festival as a project "filled with enthusiasm and fun"[8] where the public has "recognised our work, our fellow artists, musicians and actors and have the desire to come back regularly."[8] He also describes the festival as a "musical laboratory" which avoids the programming of works that the public are used to hearing in concert halls. It is about "daring to combine performers, works (music), create new collaborations and by taking risks.[8] Pahud has made several recordings and performed internationally with pianist Éric Le Sage throughout his career.[17] In 2008 he performed for the first time at the Jerusalem International Chamber Music Festival, where he played in the world premier of Elliott Carter's Flute Concerto, conducted by Daniel Barenboim. He returned to the Festival on 2009 to play in a series of concerts.