Chicago Symphony Chorus 热门歌曲下载

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歌曲 专辑 时长
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St. Matthew Passion, BWV. 244 / Part Two - Chorus: "Wir setzen uns mit Tränen nieder" (圣马太受难曲,作品244 / 第二部分 - 合唱:“我们泪流满面地坐下”) Essential Bach: 36 Greatest Masterpieces 06:26
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La Damnation de Faust, Op. 24, H 111 / Pt. 2 - Berlioz: La Damnation de Faust, Op. 24, H 111 / Pt. 2 - Chanson de Méphistophélès. "Une puce gentille" (La Damnation de Faust, Op. 24, H 111 / Pt. 2: ファウストノゴウバツ|劇的物語《ファウストの劫罰》作品24: メフィストフェレスの歌(のみの歌)「むかしむかし王さまが」) Berlioz: La Damnation de Faust (ベルリオーズ:ファウストノゴウバツ|ベルリオーズ:劇的物語《ファウストの劫罰》) 03:52
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Mass in B Minor, BWV 232 / Gloria - J.S. Bach: Mass in B Minor, BWV 232 / Gloria - Gloria in excelsis Deo (Live In Chicago / 1990) Bach, J.S.: Mass in B minor 01:59
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Verdi: Il Trovatore / Act 2 - Vedi! le fosche notturne spoglie (Anvil Chorus) (游唱诗人 - 第二幕:铁砧合唱) The Opera Album 2011 02:49
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Symphony No. 9, Op. 125, "Choral" in D Minor - Presto; Allegro assai HQ Beethoven: Symphony 9 ("Choral") (贝多芬:第九交响曲(“合唱”)) 24:49
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Mass in B Minor, BWV 232 / Kyrie - J.S. Bach: Mass in B Minor, BWV 232 / Kyrie - Kyrie eleison (Live In Chicago / 1990) Bach, J.S.: Mass in B minor 03:50
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Piano Concerto in F-Sharp Minor, Op. 20 - Scriabin: Piano Concerto in F-Sharp Minor, Op. 20 - III. Allegro Scriabin: Le Poème de l'extase; Piano Concerto; Prométhée 10:45
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Act 3 - "La donna è mobile" - "E là il vostr'uomo" Pavarotti Sings Verdi 03:00
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The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19) - Maestoso: The Mandarin Enters (神奇的满大人,BB. 82, Sz. 73(作品19) - 庄严的:满大人上场) Bartók: The Miraculous Mandarin (巴托克:神奇的满大人) 06:52
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Piano Concerto in F-Sharp Minor, Op. 20 - Scriabin: Piano Concerto in F-Sharp Minor, Op. 20 - I. Allegro Scriabin: Le Poème de l'extase; Piano Concerto; Prométhée 07:54

Chicago Symphony Chorus 最新专辑下载

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Chicago Symphony Chorus 歌手简介

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The history of the Chicago Symphony Chorus began on September 22, 1957, when the Chicago Symphony Orchestra (CSO) announced that Margaret Hillis would organize and train a symphony chorus. Music Director Fritz Reiner’s original intent was to utilize the Chorus for the two weeks of subscription concerts that season, performing — George Frideric Handel’s Messiah in December and Giuseppe Verdi’s Requiem in April. When Bruno Walter informed the Orchestra’s management that his March 1958 appearances would be his last in Chicago the board president Eric Oldberg insisted that Walter conduct Wolfgang Amadeus Mozart’s Requiem utilizing the new Chorus. During that first season, it would have been logistically impossible for Hillis to audition and prepare a new Chorus for three major works within less than four months. As an interim fix the Apollo Chorus of Chicago was used for the Christmas Messiah concerts.

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