Rafael Anton Irisarri 热门歌曲下载
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歌曲 | 专辑 | 时长 |
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1
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Gnossienne No. 1 | Gnossienne No.1 | 04:10 |
2
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Watching As She Reels SQ | Hopes And Past Desires | 07:07 |
3
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Transeúntes | El Ferrocarril Desvaneciente | 07:51 |
4
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Reprisal | A Fragile Geography | 09:39 |
5
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Empire Systems | A Fragile Geography | 08:44 |
6
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A Storm Tore This House | 05:19 | |
7
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El Ferrocarril Desvaneciente (Continuous Mix) | El Ferrocarril Desvaneciente | 21:55 |
8
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Un Saltador | El Ferrocarril Desvaneciente | 04:16 |
9
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El Espectro Electromagnético HQ | El Ferrocarril Desvaneciente | 04:16 |
10
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La Chica De Valladolid | El Ferrocarril Desvaneciente | 06:27 |
Rafael Anton Irisarri 最新专辑下载
查看全部![El Ferrocarril Desvaneciente](https://flac.lol/images/albums/4692462.jpg)
El Ferrocarril Desvaneciente
2018-09-28
![Sirimiri](https://flac.lol/images/albums/4258525.jpg)
Sirimiri
2018-03-16
![Midnight Colours](https://flac.lol/images/albums/4569839.jpg)
Midnight Colours
2018-02-27
![The Shameless Years](https://flac.lol/images/albums/4960680.jpg)
The Shameless Years
2017-08-25
![The Shameless Years](https://flac.lol/images/albums/2213872.jpg)
The Shameless Years
2017-08-25
![La Espera](https://flac.lol/images/albums/5489452.jpg)
La Espera
2017-07-10
![La Equidistancia](https://flac.lol/images/albums/5036946.jpg)
La Equidistancia
2017-04-10
![La Equidistancia](https://flac.lol/images/albums/1999406.jpg)
La Equidistancia
2017-04-10
Rafael Anton Irisarri 歌手简介
来自西雅图的Rafael Anton Irisarri多年来不断探索学习不同的作曲方法、结构、声音设计等,从前述的电子原音手法配上电子与非传统乐器,到单纯以钢琴、电吉他与合成器创作的曲子,皆散发浓得化不开的梦幻与忧郁气息,当中钢琴无疑是主要的表现乐器,却透过恰如其分,意象丰富的电子/具象声响,将充满蒙胧美感的声响进一步推向极致。
Rafael Anton Irisarri is an American composer, multi-instrumentalist and media artist based in Seattle, Washington, mostly associated with the post-classical and ambient genres of electronic music .
He is also known as the main member of shoegaze/techno act The Sight Below (on Ghostly International).
His placid compositions utilize ostinato motifs containing short melodic phrases. Reverb-drenched guitar textures, drones, field recordings, submerged piano notes, strings and minimal electronic counterpoints all contribute and converge equally in the music to create an oceanic experience that can be both epic and subdued. His music has been described by The Wire contributing writer Jefferson Petrey as "a dual perspective close-up focus on the micro textures of rustling static-filled sonic surfaces with the wide-open distant tree lined horizons of sunset at dusk."