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歌曲 专辑 时长
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Elektra, Op.58: Allein! Weh, ganz allein The First Recordings as Conductor (1949 - 1958), Volume 2 08:07
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R. Strauss: Elektra, Op. 58 - "Ich will nichts hören!" (Elektra, Op.58: エレクトラ|歌劇《エレクトラ》作品58より: エレクトラとクリテムネストラとの対話「そんなことはききたくない」) Solti - Richard Strauss - The Operas 16:22
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IV. Presto, Allegro molto assai (Alla marcia), Andante maestoso, Allegro energico, sempre ben marcato (第四乐章 急版,非常快的快板,庄严地行板, 充满活力的快板,始终非常的强) Beethoven Symphony No. 9 "Choral" 24:59
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Symphony No.9 in D Minor, Op.125: IV. Presto, Recitativo - Allegro assai - Final chorus from Schiller's Ode to Joy Herbert von Karajan - Beethoven: Symphony No. 9 24:55
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Auf dem Wasser zu singen Elisabeth Höngen singt Lieder 03:04
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Symphony No. 9 in D Minor "Choral", Op. 125 - IV. Presto, Prestissimo (D小调第9号交响曲“合唱”,作品125 - 第四乐章 急板,最急板) (1997 Digital Remaster) SQ Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral" 09:59
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L.van Beethoven. Symphony No.9 in D minor, Op.125 "Choral". IV - Finale: Presto - Allegro assai Wilhelm Furtwangler Conducts. Ludwig van Beethoven 24:24
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Finale - Presto - Allegro Assai - Andante Maestoso - Allegro Energico, Sempre Ben Marcato Beethoven: Symphony No. 9 "An Die Freude" 24:52
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Il mio bel foco SQ Elisabeth Höngen singt Lieder 04:17
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R. Strauss: Die Frau ohne Schatten, Op.65 / Act 2 - Barak, ich hab' es nicht getan! Strauss, R.: Die Frau ohne Schatten 03:06

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Elisabeth Hongen 歌手简介

Elisabeth Höngen (7 December 1906, Gevelsberg – 7 August 1997, Vienna) was a German operatic mezzo-soprano, particularly associated with Richard Wagner and Richard Strauss roles, and with Verdi's Lady Macbeth. She studied in Berlin with Hermann Weissenborn, and made her debut in Wuppertal in 1933. She sang in Düsseldorf (1935–39), and in Dresden (1940–43), and then joined the Vienna State Opera, also appearing at the Salzburg Festival and the Bayreuth Festival, quickly establishing herself in roles such as Venus, Ortrud, Fricka, Erda, Waltraute, Herodias, Klytemnestra, Die Amme, Clairon, she also won considerable acclaim as Lady Macbeth, Eboli, Amneris, and Carmen. She made guest appearances at the Munich State Opera, the Royal Opera House in London, the Paris Opéra, La Scala in Milan, the Teatro Colón in Buenos Aires, and the Metropolitan Opera in New York. She sang the title role in Britten's The Rape of Lucretia, and Baba the Turk in Stravinsky's The Rake's Progress. Hongen had a rich and powerful voice and was an impressive singing-actress. She retired from the stage in 1971.